Having discussed what some of the more backwards amongst us consider to be cultural Armageddon in our first post of the evening, we move onward in our second to a literary take on Armageddon that is vastly more enjoyable than the Left Behind series. Any time the end of the world is foisted upon you by Neil Gaiman, author of The Sandman graphic novels and the brilliant novel American Gods, among others, as well as Terry Pratchett, author of the Discworld series, well, you know it has to be good. Just to get the obvious references, both men have the same British wit that is typically associated with Monty Python, Douglas Adams, or maybe Shaun of the Dead. It is unclear why the British are just funnier than Americans, most likely having to do with a certain fatalism inspired by the nasty weather, horrible food, and typically undrinkable coffee. Then again, maybe when you grow up watching your politicians hurl witty insults at each other rather than vapid sound bites, it can be a bit inspirational. |
In any case, this little novel, written before either of them became famous, ranges from the drop-dead hilarious to the sidesplittingly funny, even when some of the subjects of the humor are a bit obscure. Still, you have to give them credit that they made me laugh about the M25 Motorway (the loop road around London: think the Beltway, I-95, and the tri-state tollway if you are familiar with DC, Boston, or Chicago; for NY readers, think I-287 with the traffic typical of the BQE or Van Wyck) and the planned town of Milton Keynes. A sample of the book's take on life:
Many phenomena — wars, plagues, sudden audits — have been advanced as evidence for the hidden hand of Satan in the affairs of Man, but whenever students of demonology get together the M25 London orbital motorway is generally agreed to be among the top contenders for exhibit A.
The plot, such as it is, concerns plans by the hosts of heaven and hell to spark Armageddon, each hoping for the ultimate victory, while a pair of friendly demons, realizing that low-level employees for competing firms often have more in common with each other than either has with their corporate management, do everything in their power to stop this from happening. Of great benefit to them is the fact that the Antichrist was misplaced at birth, and many of the supernatural beings about to wage battle are caught in traffic. Honestly, if this plot doesn't grip you yet, you probably need professional help. Fleshing out the novel are a multitude of jokes and witticisms, and it is a fun challenge to try to figure out which author wrote what. Having read a good bit of Gaiman and one book by Pratchett, I was pretty stumped, but I would imagine that an aficionado could do much better. Gaiman is the more Vonnegutian of the two, preferring jokes that rely on timing and misdirection, whereas Pratchett likes the more carefully constructed comic scenarios, but the book flows pretty seamlessly from one to the other without any obvious hitches. Even though it contains something of a moral conclusion, in that humans often act both better and worse than either God or the Devil could even imagine but that life is still better with us having free will than if we didn't, the book avoids adding too much saccharine to the mix.
If I had to choose between Gaiman and Pratchett, I could pretty comfortably choose Gaiman, but life is generous and we are lucky to be able to enjoy both. This one is definitely worth it, start to finish.
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